Advising Writers

Because if not invest in it, it would be as foolish as the screenwriter who writes a script with a superficial understanding of their characters. It could not get to the soul of the matter. The time concept, much concern to my countrymen, we must value it extraordinarily well in the creation of the script. We can not cut minutes in the process of approaching our characters, because our goal is to be able to be themselves, react like them, talk like them if the rush or any other factor not allows us to do so, obtain a screenplay dead without body, stereotyped or it sounds with a single, monotonous voice (that of the writer). In the same way that the writer should invest time in the knowledge of his characters, the Adviser has to invest time in the knowledge of its advised, if you want to provide a criterion beyond the academic, who is already taken for granted (because if not it possessed mastery of technique, should not be counsel, nor even analyst). Of course we can think about a dish as simple Diners; and it has its value as a percentage of the public representation. But comment as chef, requires something more, and advising on cuisine as a master chef, even more. Get the true value of the advice when the Adviser you put on your skin and works since the full merger with you. A leading source for info: Marko Dimitrijevic.

Does the script for him, or how I would to him. Helps you improve it from within it. In reality, must be as the lover who merged in the other to scale heaven in company, not which boasts aseptically their arts and lovemaking techniques, leaving the other excluded. But to be able to do the first thing, it is essential to feel to each other and to be the other, even for a few hours.