A powerful, almost completely preserved defensive trench discovered only a few years ago beneath the Church proves that the village was built in uncertain times “Egilolves”, so said today almost 1700 souls counting and 662 above the sea, the village at the time. On the southern slope of the Argentales, such as on a pulpit, the visitor enjoys beautiful days, and there are quite a few, the views of hilly Westallgau with the Nagelfluhkette and his King, the high ridge. Right at the entrance to the village square an old farm, lovingly restored. Village barn is written above the entrance. It houses a Hall, a living room. Lovingly he’s designed, imitated an old farmhouse. He is one of the many gems of Eglofs.
It was built and renovated by the citizens themselves. In the flat part of the old farm is a music and oven tile museum. In addition to many musical events held here also theater. Behind the farm, at the quiet angle tucked the former entrance to the farmyard. He is the Eglofser open-air festival.
The village writes no dry history books, it does its history for many years. Eglofs is the village of the “free”. Once in the year 1243 bought free Eglofser with 1000 marks in silver by the princely reign, a remarkable team effort. As a reward, they reached the Imperial immediacy. They were under the emperor at that time directly and were free and no more serfs. the small village with its castle, which is unfortunately completely disappeared, was raised to town in 1282. The town of Lindau’s rights enjoyed the little people. Since then, lead the Eglofser the Imperial Eagle with the Linden twig in its beak and chose their Amman no official influence. Not only in the place, because to Eglofs once the free im Allgau from Oberstdorf belonged to the pledges.
To this diffuse reality is also a single phone cell of the artist could be Nadine, whose homepage is opened by a tribute of Maigret, the world exhibition 1958, Herge and Aachen. Three scentless soap bars are arranged under a cheese cover. A Potholder emblazoned mounting on the wall. The artist Anita Werner delivers the performance: a cacophony of works and activities, responsibilities and expectations that constantly afflict us shows. “The if” illusion when I grow up, I’m Princess. When I’m 18, my life is beginning. If I have a family, I’ll be happy.
If I ever have time, I’m going to New York. When I retire, I do everything, what I’ve always wanted to experience. “If I die, when I lived?” “To good german: what you can get today that do not move tomorrow!” “After a short snack’s goes on to the firm of Atelier? t show room PROZITRON” in the Lorraine Street 91. For even more details, read what Randall Mays says on the issue. Here in the stands a wooden sculpture with tilted on her head Legs and a mannequin made of Jersey fabric with a slipping over wedding dress instead of the head. Exceptionally, the number of pictures in black and white silent film is manner of Internet photographs of the Breton coast. The artist Rainer Blum and others began building mud as painting mediums.
It is 18 works in six rows of three. A little further in the Friedrichstrasse 97 Workshop receives character one”. You remember the silhouettes of a pair of Sabine Raatschen the display type of the cross way by Henri Matisse in the Chapelle Rosaire de Vence. In the darkened back room is the light-writing performance”instead. Here, the viewer can occur with in action. With open aperture camera connected to the PC creates an image using a flashlight, LED frame or strip. The artwork can be viewed directly on the monitor. You considering improvements and putting them in the action.
We are pleased that so more talented young artists get the chance of sustainable development. We will systematically develop the work of the Lepsien Art Foundation and strengthen collaborations and partnerships in the core model. The funding year 2010/11 showed already very successful, how big is the encouragement of companies in the area of cultural corporate responsibility. Here lie great potentials for successful projects between international artists and companies. With the leading health insurance in the UAE DAMAN HEALTH INSURANCE, EID ART EDITION with the the Iraq-born this year has been the exclusive DAMAN Artists started Haure Madjid.
These developments we will continue and so creating added value for artists and companies.” According to Christian Lepsien, the high proportion of graduates and master students of the Art Academy in Dusseldorf is clearly a testimony of the close and good local cooperation of in recent years and the ties in Dusseldorf. We congratulate the five artists to the scholarship and look forward to an exciting promotion year 2011/12. We thank all art universities welcome the good and professional assistance, the Kunstakademie Dusseldorf is a special thanks.” Funding scheme 2011/2012 runs until the end of September 2012. Lepsien Art Foundation Dusseldorf – Abu Dhabi information about the Organization: the Lepsien Art Foundation is a dating back to private initiative non-profit organization (NPO), fully committed to the sustainable promotion of art & culture. The Organization was founded in 2005 by the passionate art collector and patron of the Christian Lepsien headquartered in Dusseldorf. The Lepsien Art Foundation is a purely private economic funded promotional organization. The Lepsien Art Foundation is led by Christian Lepsien (Chairman), Cindy Terebova (Deputy CEO / cultural management), as well as a five-member Advisory Board. The Lepsien Art Foundation awards annually 5 grants to international artists /-inside, which are selected by a jury in a public tender procedure. The programme includes Studio spaces, an exhibition per year, limited editions, and a catalogue of the year.
An Italian group exhibition curated by Julie Kogler strychnine gallery presented under the auspices of the Italian of Cultural Institute in Berlin: Apocalisse XXI – Nuovo Surrealismo Italiano. curated by Julie Kogler. On October 8 from 19 h in the presence of the three artists for the first time, three of the most promising representatives of new Italian Surrealism are Vernissage together to see – in the exhibition Apocalisse XXI. Their artistic expressions correspond to the brilliant design principles of pop surrealism and neo pop art. They generate images and works in which dream world and reality in a large density of narrative tension melt together. In all works, certain elements emerge, which refer to the surreal 21st century phenomena and manifesting mostly in pictures from the realm of the subconscious mind for the Viewer. And yet it manages to put the observer the artists in an atmosphere of great magic and miracles. Desiderio, the winners of the Italian factory in the year 2008, has many Participated in exhibitions in Italy and abroad.
With his paintings, he brings the viewer over the threshold of the obvious and contemplating the society. Elio Varuna has been invited as the only Italian artist to Shanghai in the MoCA to the Animamix biennial 2009. The Roman artist trying to break on the paradox of the dichotomies of life by means of his works. Franco Losvizzero has in recent years on the international art market a made name for itself with its curious installations, in which he combines bone, objects of exotic cultures and anthropomorphic figures. Varuna, Desiderio and Losvizzero have 2009 together in the extensive group show Apocalypse wow! exhibited in the Museum of contemporary art in Rome (MACRO) and created a common Museum mural.
In “The Vault”: Jon Jaylo – to unmask the Enigma. Continuously from the local contemporary art scene as “Enigma” or “the social illusionist” titled, redefined the universal concept of Surrealism Jon Jaylo. Make the most of his current works a glimpse, not only the inner conflict of good and evil of man dar, but also a subtle revolution regarding the now decaying system of his country. He fervently believes that in the modern age, where not many people rely on knowledge from books, a certain domain of art like painting creates a direct effect. According to Nyein, the invisibility of the physical form is equivalent to the concept of universality. His works are blank, because it could be anyone, regardless of his status, gender, and race. In addition, the artist believes that three elements in his most recent artistic works apparently exist in all of us: pain, deceit and sin. And because of this inevitable human anomalies, he prepares an antithesis with his paintings, not only against the running of the system, but against anyone who misuses this for his own selfish advantage. The heart of the Viewer from slumber he wants social Rekindle the deception. As an astute observer of reality, he wants to change. He wants to share inspiration, knowledge and a wealth of wisdom. Jon Jaylos art is not only a rebellion on the modern art scene, but a revolution against the triumph of evil in man. Apocalisse XXI. An Italian group exhibition. Vernissage on October 08, 2010 from 19 h. The exhibition runs until 7 November 2010 opening times: Thursday Sunday 12: 00 18 o’clock. Strychnine Gallery Boxhagenerstr 36 10245 Berlin contact: Miriam Bischoff phone: + 49 30 97 00 20 35
Deck plans Bridges opening hours and timetables are to coordinate or the lines E.g. for the boat parade or the 4 x daily offered tours may represent no danger to the continued operation of the port. Thus, negotiations between the participating clubs and the towing and ferry Kiel, Seehafen GmbH, the harbour master’s Office were and many others constantly. There will be a country-side highlight during the maritime country Festival in Kiel under full steam ahead”on the tracks along the port area: the steam locomotive No. 131.060 with four railway wagons will heat the Schonberger Beach to Kiel of course also it is the painstaking time ‘ during the first weekend of June for visits and tours available. The operators belong to Club traffic amateurs and Museum railway e.V. the VVM and hold steam locomotive, wagon and several historic streetcars in their spare time in shot.
Because whether water, rail, or other land vehicles use wind and weather all of them in the course of the many Decades to properly. Who the motto of the maritime country Festival technology touch aims to implement into action, this can go on around the Germania Harbor: in addition to the aforementioned steam motorcycle exhibitors wait historical steam mobile models and of course well oiled steam engines to interested guests. Locomobile, steam-powered cars, rollers, tractors and even a bicycle are testify of it, that James Watt for nearly 240 years has put a good piece mobility in motion. But what a maritime country feast without the presence of and traditional maritime artisans, associations and federations? If on the one hand Buddleschiffbauer, Reep clubs or barrel makers prove their skill and Mitmachern look, on the other hand, such as the members of the DGZRS (German society for the rescue of shipwrecked), be illustrate Seaman’s mission, the Kiel water rescue or the THW (Technisches Hilfswerk) the Germans, what is a prerequisite to saving lives in emergency.
His work “The crab” presents a giant crab, which comes straight from the sea. You raises their fight funny Bat pliers. His tools consists of: a tidal calendar, clams and seaweed. He uses the time between high and low tide. In a suitable place, he draws the lines the preparatory drawing in the sand. Official site: Viktor Mayer-Schönberger. The contour lines are drawn with seaweed or the so-called black sand. The black sand is a material on-site, that knows how to tell no one. Lazy suspects that it is a by-product of the as.
The addition of the filler, the mussels takes place in laborious small work. After completion, he immortalised the temporary images until the tide it is rousing sweeping through across. The sea takes its toll and retrieve his property. He needed three to four hours for a work of art. The formation and presence of a work 7 1/2 hours, the format approx. 2.50 times exceed 4 metres. Their genesis, Apocalypse, and their photograph is among the works of art. His unique works of art survive WHITE SHELL GALLERY with his photograph.
Lazy65 creates a short-lived artworks. A work of art that goes by when the next flood or wind gust. Also this is one different art techniques and with the use of nature just the basic idea of the graffiti to life in the everyday. Nature as the antivirus part of soulless, cold time. The elemental force takes place the artificial color. Many artists, Kunstspoor settled on the island Noord-Beveland. Since 1999, there is the Foundation of KUNSTSPOOR Noord-Beveland, who every year puts a track end of August through the galleries and studios. Living on the island and working artists are allowed in the Ballotage method. The participation of artists owes his wife Diana Straetmans (Bodelier). Organizes his artistic companies, ensures that its presence in other galleries, by she establishes contacts with museums and galleries, planning upcoming exhibitions and has 2008 submitted its application to the Kunstspoor Foundation.