Only from the moment where it will have its part in the construction of the memory is that those events will make pra sensible it and feelings will bring it. The colors, the dreams our vision possess cells with two polar regions, whose only dendrito is fotossensvel, the cones are responsible for the colors and the rods are the ones that function in the dark one. In fact, the rods need little light very to catch the image. The rods see all ash, repleto of tonalities, are truth, but in them they bring information unprovided of colored and therefore they compel the brain to decode the emotions in other ways. Waltz with Bashir starts in compelling to use the rods and compelling our brain if to adapt, to use other codes to interpret the scenes that if follow. In the start we see raging and cinereous dogs of some species running for the street.

They come hatred blind people, without a defined target, as if the proper hatred was enough to them. The teeth are arreganhados. It has the sound, the noises, the integration of the directions to be alert. The dogs pass for diverse people without name. It is the expectation to know who will be the target of these full animals of hatred. To the measure that goes running for the city cachorros if they join to the group until matilha to complete the total of 26. The group of 26 cachorros stops in would carry of a building and starts to bark. At last, a man there of the high one, appears in the window, looks at quickly and adds. This is a dream that the friend of Folman has all the nights. The dogs come, run, knock down and stop under of its window, Twenty years after the war and of the profusion of images caught for cones and rods the brain of its jeitinho to say that those souvenirs had continued there and that if cannot simply embed events of the dimension of a war as if had occurred.